| In Conversation with Filmmakers

In Conversation with Tamim Kalash

(“Eyes in Qaah”, 2015, Syria, Tamim Kalash)

What inspired you to make this film? 
The songs of Katia and Fatima (The film’s main characters) embody the aspirations of the Syrian people for freedom and a decent life, as well as the melodies of their voices were inspired by the hope of a better tomorrow. Their love to life and their will to start living in a happy way in spite of their bad reality and difficult details of their lives in the camp on the border with Turkey keeps them as they thought away from war and not inside it.

What do you want American audiences to know about this film or about the subject matter?
I want everyone to know that this story, which took place at the Qaah camp, happens every day in many regions of Syria, with different people, places and they unfortunately continue to happen.

Is it difficult to make films in your home country? Why or why not?
Sure, I have many difficulties and obstacles in producing movies inside Syria. I don’t work at Syrian regime control areas, I live under opposition forces control which are being exposed to bombing every day, also controlled by various opposition military forces, and you must handle with the atmospheric in a careful way. On the other hand, the lack of professional equipment as well as qualified specialist made me obliged to do most of the tasks with basic equipment, which slows down the movement of production, significantly affects the artistic and technical work.

Is there anything else you want us to know about you as a director or about your film?
I’ve started working on this film with a completely different scenario, but the evolution of events during filming the stages is what led the film to appear as follows.


“January 2017”


Disclaimer: Please note that most artists, filmmakers and authors presented by FCI are not native speakers of the English language. To avoid misinterpretation, it is FCI’s policy to print their responses as received without structural or content changes.

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